Ecoli\u00e8re rebelle, Ai vomit le conformisme ambiant de ses pairs et de la soci\u00e9t\u00e9 japonaise. M\u00eames fringues, m\u00eames id\u00e9es, m\u00eames passions, z\u00e9ro individualit\u00e9. Mais, lorsque Yu rejoint sa classe, elle trouve soudainement un alli\u00e9. Yu a pass\u00e9 des ann\u00e9es \u00e0 l’\u00e9tranger, ce qui fait de lui une sorte d’outsider japonais, aussi rare qu’un train qui arrive \u00e0 la gare de Shinjuku avec treize secondes de retard. Au m\u00eame moment, alors que les journaux parlent d\u2019\u00e9tranges \u00ab signaux \u00bb venus de l\u2019espace, leur \u00e9cole est soudainement victime d’une nouvelle tendance sociale o\u00f9 les \u00e9l\u00e8ves se mettent spontan\u00e9ment \u00e0 quatre pattes pour former des pyramides humaines. D\u2019abord \u00e0 trois, puis \u00e0 trente, puis \u00e0 cent. Tout \u00e7a, sous le regard attendri des profs et des parents qui aiment les choses bien carr\u00e9es\u2026 \u00c0 l\u2019instar de son premier film, BEST REGARDS TO ALL, Y\u00fbta Shimotsu diss\u00e8que l’horreur du conformisme extr\u00eame dans cette satire sociale.<\/p>\n","protected":false},"excerpt":{"rendered":"
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