Belgian Short Films Competition

Once again this year’s Belgian short film competition shows the richness and diversity of our na-tional genre cinema. With promising student films, but also with familiar names such as Xavier Seron, Michiel Blanchart or Bruno Du Bois (who moved to New Zealand, where he worked on titles such as The Hobbit, Mortal Engines, Jumbo by our Méliès jury member Zoé Wittock and the Avatar sequel), we can only look forward to a promising Belgian movie future.

Movies

Jury

Alain GALAND

This die-hard fan has been a BIFFF-regular since the 2nd edition. He’s crazy enough to spend his holidays each year at the festival. He’s a member of our short film jury and responsible for the smooth progress of the Audience Award. His name is Alain Galand, but everybody knows him as Tom Pouce.

Michel DEVILLERS

Born in Tournai on June 20th 1950, a painter and a sculptor, he is one of these artists whose voice never fades and constantly brings food for thought to the world surrounding us.

 

Christian BONTINCKX

Born in 1954, Christian Bontinckx studied psychology, pedagogy and cinematography at the ULB in Brussels. He also finished studies in art at the art academy of Sint Josse and Anderlecht, worked as a psy and helped on papers like “does cinema make you a mean person? “ that was presented at BIFFF in 2001. He participated at at the writing of pedagogic short movies made by Fredeirc Dumont in 1994 and Vincent Lannoo in 1996. He also curates expos.

Louis-Philippe CAPELLE

In 1978, after graduating from the INSAS film school, Louis-Philippe Capelle takes part in numerous projects as director of photography: from art house documentaries to television films, from fiction to advertising and TV documentaries. At the start of his career, he helps to create the production company Triangle 7, where he stays for 15 years. He then sets up the postproduction company Hoverlord, which will last for 5 years. After that, he begins to work for Eye-Lite, Belgium’s biggest audiovisual material company. He first participates to the development of digital cinema and then manages the commercial and artistic relations of the organization. This doesn’t prevent him from continuing his passion as he partakes in different projects as director of photography. But Louis-Philippe doesn’t stop there. Besides from teaching at various schools, he’s the chairman of IMAGO, a European federation for directors of photography that regroups 53 countries with almost 5.000 members worldwide. Since January, he’s vice-chairman of the SBC (Belgian Society of Cinematographers).

Thierry VANDERSANDEN

Thierry Vandersanden (Brussels, 1968°) studied editing at the Institut des Arts de Diffusion. After some jobs and a short period at the RTBF, he takes over “Le Moniteur du Film” in 1994. This is a magazine specializing in the distribution and the exploitation of films in Belgium. For five years, he’s the only editor, courier, typist, encoder and stamp gluer. In 1999, he joins the team of the Centre du Cinéma et de l’Audiovisuel de la Fédération Wallonie-Bruxelles. Nowadays he’s head of the promotion and distribution services, responsible for supporting distributors, theater owners, workshops and festivals.

Sarah GURY

After graduating from the Saint-Lucas School of Arts in 2012, Sarah Gury joins the team of UniversCité Belgium as editorial and marketing manager. UniversCiné, an initiative of Belgian independent producers and distributors, is a platform for renting and buying video on demand films (www.universcine.be) and also offers subscriptions (www.uncut.be).

 

Ellen J. Babeliowsky

 

Ellen J. Babeliowsky (15/05/1986) is a Belgian filmdirector and cinematographer. From a very young age she was a natural storyteller and encouraged by her grandfather, she fell in love with cinema. In 2015 she graduated cum laude at the Royal Institute for Theatre, Cinema and Sound – Brussels (RITCS). Her most known shortfilm ‘Motel Motel’ was nominated at several Film Festivals abroad and won some very nice awards like ‘Best Cinematography’ at the Wildsound Film Festival Toronto. Ellen has a special interest for genre-cinema and the surreal. As it seems, all her films have certain surreal elements and turn out to be a complete mindfuck. She finds her inspiration with Lynch and Buñuel. For now, Ellen is mostly writing scripts. She has a feature film and a documentary going in pre-production very soon and she’s selling her script for a tv-series to a big production company.

 

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